Tonight is Oscar night and people all over the world will be glued to their TV screens to see what the movie stars are wearing and who’ll take home the coveted Academy Awards. But is anyone dying to know what Thomas Newman will wear?
Newman is one of this year’s Academy Award nominees for Best Original Score, for the film “Saving Mr. Banks.” Also nominated for Best Original Score are John Williams (“The Book Thief”), Steven Price (“Gravity”) Alexandre Desplat (“Philomena”), and William Butler and Owen Pallett (“Her”).
Film composers aren’t the most glamorous or visible celebrities at the Oscars. Yet they play a critical role in setting and sustaining the mood of a great film.
In a completely unscientific survey, my wife asked some friends and family members to name movies that were especially memorable because of their original scores. What famous film music excited or moved them and stuck in their minds after they finished watching these movies?
Not surprisingly, “Home Alone” was mentioned by more than one person.
The legendary John Williams composed the original score for “Home Alone” and I’ll speak more about this music in a moment.
“Ben-Hur” (with an original score by Miklos Rozsa) also received multiple mentions.
A few additional movies and composers named in this informal survey were “Braveheart” (James Horner), “Rob Roy” (Carter Burwell), “Rudy” (Jerry Goldsmith), “The Good, The Bad and The Ugly” (Ennio Morricone), “The Nightmare Before Christmas” (Danny Elfman), “Somewhere In Time” (John Barry), “Amelie” (Yann Tierson), “Polar Express” (Alan Silvestri), Franco Zeffirelli’s “Romeo and Juliet” (Nino Rota), “The Last of The Mohicans” (Trevor Jones and Randy Edelman), “King of Kings” (the aforementioned Miklos Rosza) and “Vertigo” (Bernard Herrmann).
Each of the people who responded to this question obviously had his or her own reasons for loving certain films and the music from those films. But their enjoyment of these movies — and the lasting impressions that these movies made upon them — were undoubtedly influenced by the music that propelled the action and/or captured the emotions within the story.
Getting back to the subject of “Home Alone,” my wife’s niece found this quote from Wikipedia to go along with her nomination:
Home Alone is the soundtrack of the 1990 film of the same name. The score was composed by John Williams and nominated for the Academy Award for Best Original Score; the film’s signature tune “Somewhere in my Memory” was nominated for the Academy Award for Best Original Song and the Grammy Award for Best Song Written for Visual Media.
“Somewhere in my Memory” was actually written to “run alongside the film” by Williams. It can be heard in numerous sections of the film, either in full length or fragments, forming the backbone for the film’s soundtrack. “Somewhere in my Memory” is performed in many Christmas concerts in schools or professional orchestras and choirs alike across the globe.
It is common for successful film composers to use a main theme as the backbone for a film’s soundtrack, slightly altering the tempo, key or arrangement to coincide with what is happening in a particular scene. That theme is what often runs through your mind, long after the movie had ended.
One of the strongest impressions that instrumental music can make on a person is when it is heard while watching a story unfold on the screen. Our minds process the visual presentation and events in the story, while our hearts react to the emotions that the music score imparts. When a great story, acting, cinematography and music score combine, it is long remembered in our hearts and minds and worthy of an Oscar.
Now let’s find out who the Academy has chosen for its highest musical honors.