FROM GAMES TO GAMING

People who know my video game music have sometimes asked why I transitioned from making those types of games to working in the gaming industry. As any composer for games, TV or film will tell you (although they may not admit it out loud), being an independent composer can be a wild roller coaster ride. To be more blunt, it is a “feast or famine” career environment. Although I’ve had abundant success in the video game industry and continue to pursue freelance projects, I felt it was time for a bit more stability.

I now work full-time for IGT (International Game Technology), which is based in Reno, Nevada and is the largest manufacturer of slot machines in the world. Whether you’re in Vegas, Paris or Hong Kong, you’re going to find IGT games on the casino floor. While it may seem like an odd transition, games and gaming aren’t that different. Both thrive on technology, art and of course, music and audio.

The level of talented people I get to work with every day is incredible. There are always new projects coming up. In fact, I’ll be scoring and doing audio design for 10 games in the next 12 months. Although there is less content needed for a single slot machine than the typical AAA video game, I get to compose, arrange and produce a lot of music in styles ranging from pop/rock and jazz to zydeco and mariachi. I’m even up for a patent for a unique way to implement music in the games.

I feel very lucky to be part of a small group of composers who specialize in slots. I would guess that there are only about 50 to 75 of us who are doing this full-time, world-wide. Since it is a very specialized field and the projects are constant, there is much more job security with great pay and benefits. I have not found this in any other part of the entertainment industry. My co-workers tell me that I smile a lot — and they look pretty happy, too.

Here’s a short video that describes a “Day In The Life” at IGT, a place where creativity is truly valued and rewarded:

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